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Austin Powers: International Man of Mystery

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Austin Powers: International Man of Mystery
Theatrical release poster
Directed byJay Roach
Written byMike Myers
Produced by
Starring
CinematographyPeter Deming[1]
Edited byDebra Neil-Fisher[1]
Music byGeorge S. Clinton[1]
Production
companies
Distributed byNew Line Cinema[1] (United States)
Capella International (International)[3]
Release date
  • May 2, 1997 (1997-05-02)
Running time
89 minutes[4]
CountryUnited States
LanguageEnglish
Budget$16.5 million
Box office$67.7 million[5]

Austin Powers: International Man of Mystery (or simply Austin Powers[2]) is a 1997 American spy comedy film directed by Jay Roach. It is the first instalment in the Austin Powers series. It stars franchise co-producer and writer Mike Myers, playing the roles of Austin Powers and his arch enemy Dr. Evil.[6][7] Supporting roles are played by Elizabeth Hurley, Robert Wagner, Seth Green, and Michael York. The film is a parody of the James Bond films and other popular culture from the 1960s,[8] centering on a flamboyant, promiscuous secret agent and a criminal mastermind arch-nemesis, who go into and come out of cryostasis at the same time as each other as their conflict spans decades.

The film, which cost $16.5 million to produce, was released on May 2, 1997. It received mixed reviews from critics and grossed $67 million worldwide. It is now regarded as one of the best comedy films of all time, ranking 42nd on Bravo's "100 Funniest Movies of All Time" list. The film spawned two sequels, Austin Powers: The Spy Who Shagged Me (1999) and Austin Powers in Goldmember (2002). In the years following Austin Powers in Goldmember, Myers has discussed the possibility of a fourth film, though as of 2024 nothing official has come to fruition.[9][10]

Plot[edit]

In 1967, British spy Austin Powers thwarts an assassination attempt by his nemesis Dr. Evil in a London nightclub. Dr. Evil escapes to space in a rocket and cryogenically freezes himself. Austin volunteers to be placed into cryostasis in case Dr. Evil returns in the future.

Thirty years later, Dr. Evil returns to discover his henchman Number 2 has developed Virtucon, the legitimate front of Evil's empire, into a multibillion-dollar enterprise. Uninterested in business, Dr. Evil conspires to steal nuclear weapons and hold the world hostage for $1 million. He increases his demand to $100 billion when he learns that the value of the dollar has fallen due to inflation. Dr. Evil also learns that, during his absence, his associates have artificially created his son, Scott Evil, using his frozen semen. Now a Generation X teenager, Scott resents his father's absence and resists his attempts to get closer to him.

Having learned of Dr. Evil's return, the British Ministry of Defence unfreezes Austin, acclimatizing him to the 1990s with the help of agent Vanessa Kensington, the daughter of his 1960s sidekick Mrs. Kensington. Posing as a married couple, Austin and Vanessa track Number 2 to Las Vegas and meet his Italian secretary, Alotta Fagina. Austin infiltrates Fagina's penthouse suite and discovers Dr. Evil's plans to drill a nuclear warhead into the Earth's core and trigger volcanic eruptions worldwide. Fagina discovers Austin and seduces him to learn his identity. Dr. Evil and his entourage conspire to defeat Austin by creating a series of fembots: beautiful female androids equipped with machine guns concealed in their breasts.

Austin and Vanessa infiltrate the Virtucon headquarters but are apprehended by Dr. Evil's henchman, Random Task. Meanwhile, the United Nations accede to the demands of Dr. Evil, who proceeds with his plan nonetheless. Austin and Vanessa escape Dr. Evil's death trap and Vanessa is sent for help. While searching for Dr. Evil, Austin is confronted by the fembots. The fembots, wearing pink and purple lingerie, do cartwheels and pose seductively on furniture. They invite Austin to “have a little fun” but he declines saying he has to save the world. Using the cannons concealed in their breasts, the fembots spray Austin with pink knockout gas and pin him to their bed.

Austin lies in bed with them happy as they rub his face and chest but soon snaps out of it. They rub his chest and convince him to stay. They continue to talk sexy to him and make smooching sounds. After one of the fembots shows him her underwear, Austin makes a run for it but two fembots block the door, saying he can’t resist them. Austin proves them wrong by performing a striptease to “I Touch Myself” by Divinyls. Austin strips down to his red Union Jack briefs and does several sexy dances which arouses and makes the fembots too horny to the point that their heads explode. Vanessa arrives and Austin explains what just happened and redresses.

British forces raid the underground lair, while Austin deactivates the doomsday device. He confronts Dr. Evil, but Fagina arrives holding Vanessa hostage. They are interrupted by Number 2, who attempts to betray Dr. Evil by making a deal with Austin. Dr. Evil uses a trap door to send Number 2 plummeting into the fire pit, then activates the base's self-destruct mechanism and escapes. Austin and Vanessa evacuate the lair before it explodes.

Three months later, Austin and Vanessa are married. During their honeymoon, Austin is attacked by Random Task. He subdues him using a penis pump, which he before claimed was not his, allowing Vanessa to knock him out. The newlyweds adjourn to the balcony. Among the stars, Austin spots the cryogenic chamber of Dr. Evil, who vows revenge.

Cast[edit]

Deleted scenes:

(UK Version only)

Production[edit]

Inspiration[edit]

Mike Myers created the character of Austin Powers for the faux 1960s rock band Ming Tea that Myers started with Matthew Sweet and Susanna Hoffs following his Saturday Night Live stint in the early 1990s.[11][12] Myers said that the movie and the character were inspired by the British films, music and comedy of the 1960s and 70s his father had introduced him to as a child. "After my dad died in 1991, I was taking stock of his influence on me as a person and his influence on me with comedy in general. So Austin Powers was a tribute to my father, who [introduced me to] James Bond, Peter Sellers, the Beatles, The Goodies, Peter Cook and Dudley Moore."[8] Myers also said hearing the Burt Bacharach song "The Look of Love" (itself from the Peter Sellers Bond parody film Casino Royale) on the radio led to him reminiscing about the 1960s, which helped inspire the movie.[13] Dana Carvey, Myers' collaborator on Saturday Night Live and on the Wayne's World movies, felt that the character of Dr. Evil was copied from Carvey's impression of long-time SNL executive producer Lorne Michaels and was unhappy about it.[14][15]

James Bond references[edit]

The film parodies many characters, lines, set pieces, and plot points of the James Bond films. Primarily these elements are drawn from the early 1960s Bond movies, but there are references to later films in the series as well. These allusions include:

  • Dr. No (1962): the shower sequence during the unfreeze sequence; Austin's and Vanessa's change of clothing and dinner with Dr. Evil; Dr. Evil's outfit and general surroundings during the climax; Vanessa's bikini identical to Honey Rider's.
  • From Russia with Love (1963): modelling the Irish assassin on both Red Grant and the leprechaun character from the Lucky Charms commercials; Frau Farbissina partly modelled on Rosa Klebb.
  • Goldfinger (1964): Random Task's name and role modelled on Oddjob; the dialogue "do you expect them to pay? - No, I expect them to die" based on "Do you expect me to talk? - No, I expect you to die"; Random Task/Odd Job chopping off the head of a statue; the final fight between Austin and Random Task against a wall modelled on fight between Bond and Odd Job against a wall inside Fort Knox; Powers stating to Random Task "Who throws a shoe, honestly?" (in Goldfinger, Oddjob kills by throwing his hat); the character Alotta Fagina modelled after the name of Auric Goldfinger's companion and partner in crime, Pussy Galore.
  • Thunderball (1965): Dr. Evil's headquarters, where he kills people around the table; the plot about stealing nuclear arms and holding the world to ransom; conversation about a swimming pool with sharks; Austin playing Black Jack with No 2.; No. 2 modelled on Emilio Largo; both Austin and Bond fighting with a bad-guy in drag—though the audience does not know that it is the bad-guy in drag until the fighting begins.
  • Casino Royale (1967): the song "The Look Of Love"; the rotating bed; psychedelic set during Dr. Evil's initial 1967 escape; No. 2 cheating at cards by having special glasses modelled on a similar sequence with Orson Welles.
  • You Only Live Twice (1967): the lines "this organization does not tolerate failure" and "in Japan men come first"; the scenes with the Jaguar and the video communication with Basil Exposition at the very beginning modelled on similar sequences with Bond, Aki and Tiger Tanaka; external shots of the Virtucon enterprise modelled on external shots of the Osato enterprise; interior of Alotta's apartment; bath tub sequence in Alotta's apartment; Austin's poetry similar to Tiger Tanaka's reading of poetry (actually written by Bond in the novel); Mr. Bigglesworth (Dr. Evil's cat) being a parody of Bond villain Ernst Stavro Blofeld's white Persian, although it becomes hairless due to the cryostasis; interior of Dr. Evil's lair modelling interior of Blofeld's volcano lair; face and suit of Dr. Evil modelled on Blofeld.
  • On Her Majesty's Secret Service (1969): the look and behaviour of Austin Powers modelled on Lazenby's Bond; Frau Farbissina modelled on Irma Bunt; the Fembots are based on Blofeld's angels of death.
  • Diamonds Are Forever (1971): Nevada and Las Vegas locations; Austin climbing through the window into Alotta Fagina's apartment modelled on how Bond enters Blofeld's apartment; double entendres by Austin and Vanessa modelled after those made by the two homosexual hitmen (i.e. "moving", "heartwarming" in the original film); No. 2 using a model of the US to explain the enterprise; Dr. Evil's global attack being counted down in similar style; final attack on Austin at the hotel modeled on similar final sequence on the Queen Elizabeth.
  • Live and Let Die (1973): Dr. Evil's shark tank is an allusion to Kananga's shark tank.
  • Moonraker (1979) Lois Chiles who played Dr. Goodhead in Moonraker also has a cameo role in a deleted scene as the wife of the security guard who is killed by Austin by the steamroller in the Virtucon compound.
  • For Your Eyes Only (1981) When Austin is captured by the fembots, the scene of him viewed from one of their two legs is reminiscent of For Your Eyes Only's poster.
  • Octopussy (1983): Mustafa modelled on Gobinda.
  • A View to a Kill (1985): Vanessa knocking out Random Task by hitting him on the head with a bottle of champagne is a reference to Stacey Sutton knocking out one of Max Zorin's henchman by hitting him on the head with an urn containing her grandfather's ashes.[16][17][18] The bed onboard Austin's jet is an homage to Bond's onboard his personal submarine craft. The tub scene with Allota Fagina is similar to the scene Bond has with Pola Ivanova.
  • The Living Daylights (1987): Patty O'Brien partly modelled on Necros.

Additionally, Mike Myers has stated that Austin's thick chest hair is based on Sean Connery's.

Casting[edit]

Myers sought Jim Carrey to play Dr. Evil, as his initial plan was not to play multiple characters in the series. Carrey was interested in the part, but had to turn the role down due to scheduling conflicts with Liar Liar.[19]

Since the 1960s had a big influence on his childhood, Myers cast Robert Wagner and Michael York, two household names from the late 1960s, in key supporting roles. The popularity of the film revived both Wagner's and York's careers. Myers has referred to Wagner as "the coolest guy I know" and York as "the classiest guy I know." Rhea Perlman was in talks to play Frau Farbissina, but had scheduling conflicts. She later expressed regret about turning the movie down.[citation needed] Colin Quinn turned down the role of Scott Evil and expressed regret for declining the part.[20]

Myers estimated that 30–40% of the film was improvised.[21] Filming locations included Millennium Biltmore Hotel, Riviera Hotel & Casino, and Stardust Resort & Casino on the Las Vegas Strip.[22]

Reception[edit]

Box office[edit]

Austin Powers: International Man of Mystery opened on May 2, 1997, to $9.5 million in North American theaters,[23] coming in second that weekend to the thriller film Breakdown, a Paramount release which opened with $12.3 million.[24][25] In its second weekend, Austin Powers fell to $7 million.[25] Its overall take after it left theaters was $53.8 million domestically and $13.8 million overseas for a worldwide total of $67.8 million, four times the amount of its production budget.[25]

The low grosses in the UK have been partly attributed to the death of Princess Diana, which occurred in August 1997 just prior to the film's UK September release date.[8] The film grew a steady following due to strong word of mouth and its release on VHS and DVD.[25][8]

Critical reception[edit]

Austin Powers: International Man of Mystery received positive reviews. The film has acquired a 73% approval rating on Rotten Tomatoes, based on 71 reviews, with an average rating on 6.5/10. The site's critical consensus reads, "A light and goofy comedy which provides laughs, largely due to performances and screenwriting by Myers."[26]

Roger Ebert of the Chicago Sun-Times gave the film three stars out of four, calling it "a funny movie that only gets funnier the more familiar you are with the James Bond movies, all the Bond clones and countless other 1960s films."[27] Time Out New York critic Andrew Johnston observed: "The film's greatest asset is its gentle tone: rejecting the smug cynicism of Naked Gun-style parodies, it never loses the earnest naiveté of the psychedelic era."[28]

Malcolm Johnson of the Hartford Courant praised Myers' turn in multiple roles, writing: "Myers, flashing his cruddy grin as Austin and doing implacable slow burns as Evil, again proves himself a gifted comic with a knack for transformation. But he needs to find a director who will spin out his best ideas and toss out the worst ones. With [Jay] Roach at the helm, 'Austin Powers' is less than groovy."[29]

Soundtrack[edit]

Original Soundtrack: Austin Powers: International Man of Mystery
Soundtrack album by
Various artists
ReleasedApril 15, 1997
Recorded1996–1997
GenreRock, pop, jazz
Length78:44
LabelHollywood Records
Austin Powers series chronology
Original Soundtrack: Austin Powers: International Man of Mystery
(1997) 		Austin Powers: The Spy Who Shagged Me: Music From the Motion Picture
(1999)
Professional ratings
Review scores
SourceRating
AllMusic[30]

Track listing[edit]

  1. "The Magic Piper (of Love)" by Edwyn Collins
  2. "BBC" by Ming Tea
  3. "Incense and Peppermints" by Strawberry Alarm Clock
  4. "Carnival" by The Cardigans
  5. "Mas Que Nada" by Sérgio Mendes & Brasil '66
  6. "Female Of The Species" (Fembot Mix) by Space
  7. "You Showed Me" by The Lightning Seeds
  8. "Soul Bossa Nova" by Quincy Jones and His Orchestra
  9. "These Days" by Luxury
  10. "Austin's Theme" by The James Taylor Quartet
  11. "I Touch Myself" by Divinyls
  12. "Call Me" by The Mike Flowers Pops
  13. "The Look Of Love" by Susanna Hoffs
  14. "What The World Needs Now Is Love" by Burt Bacharach and The Posies
  15. "The Book Lovers" by Broadcast
  16. "Austin Powers" by Wondermints
  17. "The 'Shag-adelic' Austin Powers Score Medley" by George S. Clinton
  18. "Green Tambourine" by The Lemon Pipers
  19. "Happy Together" by The Turtles

There are two notable omissions: "Secret Agent Man", which is played during the attack on Dr. Evil's compound, and "These Boots Are Made for Walkin'", which plays during the Fembot presentation.

Another CD featuring George S. Clinton's scores to the film and its sequel was later released in 2000.[31]==Home media== Austin Powers: International Man of Mystery was released to region 1 double-sided DVD on October 22, 1997 by New Line Home Video, with widescreen and full-screen versions on opposing sides of the disc. It was one of the first movies to be released in the DVD market.[25][8] The widescreen transfer is unusual in that it is a modified version of the theatrical ratio: despite being filmed in 2.39:1 aspect ratio via Super 35, on DVD it is presented in a Univisium 2:1 ratio, "as specified by the director", according to the disc packaging. The film was featured in the correct theatrical aspect ratio for the first time when it was released on Blu-ray in the Austin Powers Collection.

All versions of the film released on home video (including VHS) have two alternate endings and a set of deleted scenes, which were then rare to include on VHS.[25] The DVD and Blu-ray versions also feature a commentary. However, all US versions of the film are the 89-minute PG-13 cut, with edits to sexual humor/language.[32] International versions are uncut and 94 minutes long (assuming the correct frame rate).

Legacy[edit]

Daniel Craig, who portrayed James Bond on screen from 2006 to 2021, credited the Austin Powers franchise with the relatively serious tone of later Bond films. In a 2014 interview, Craig said, "We had to destroy the myth because Mike Myers fucked us", making it "impossible" to do the gags of earlier Bond films which Austin Powers satirized.[33]

Awards[edit]

See also: List of accolades received by the Austin Powers franchise

See also[edit]

References[edit]

  1. ^ a b c d e "Austin Powers: International Man of Mystery". American Film Institute. Retrieved May 28, 2018.
  2. ^ a b "Austin Powers International Man of Mystery (1997)". British Film Institute. Archived from the original on April 21, 2016. Retrieved May 28, 2018.
  3. ^ "Capella consortium". June 12, 1998.
  4. ^ "AUSTIN POWERS : INTERNATIONAL MAN OF MYSTERY | British Board of Film Classification". British Board of Film Classification. Retrieved May 14, 2018.
  5. ^ Austin Powers: International Man of Mystery at Box Office Mojo
  6. ^ "Austin Powers: International Man of Mystery". Turner Classic Movies. Retrieved April 11, 2016.
  7. ^ Lauro, Patricia Winters (June 14, 1999). "ADVERTISING; Big marketers are betting on 'Austin Powers' to endear them to young people". The New York Times. Archived from the original on November 9, 2012. Retrieved July 29, 2012.
  8. ^ a b c d e Parker, Ryan (April 27, 2017). "'Austin Powers' at 20: Mike Myers, Jay Roach, More Spill Secrets in Shagadelic Oral History". The Hollywood Reporter. Lynne Segall. Retrieved March 28, 2018. "...Austin Powers was a tribute to my father, who [introduced me to] James Bond, Peter Sellers, The Beatles, The Goodies, Peter Cook and Dudley Moore".
  9. ^ McWeeny, Drew (August 12, 2011). "Exclusive: Mike Myers is signed, sealed, delivered for 'Austin Powers 4'". UPROXX. Retrieved September 7, 2020.
  10. ^ ""Austin Powers 4" official update!". moviepilot.com. Archived from the original on October 29, 2015. Retrieved May 1, 2017.
  11. ^ "Mike Myers". Digital Hit. Digital Hit Entertainment/ Multiplex Theatre Properties Inc. 1997–2012. Retrieved July 29, 2012.
  12. ^ Cherie D. Abbey; Omnigraphics; Kevin Hillstrom (2004). Biography Today Performing Artists. Omnigraphics. p. 101. ISBN 078080709X.
  13. ^ McEvoy, Colin (February 9, 2023). "What It Was Like to Work with Burt Bacharach, in the Words of his Collaborators". Biography. Retrieved February 11, 2023.
  14. ^ Brandon Kirby (April 24, 2013). "Mike Myers, Dana Carvey Set Aside 'Wayne's World' Feud at Academy Screening". The Hollywood Reporter. Retrieved July 8, 2015. Carvey is said to have been upset that Myers' Dr. Evil character in Austin Powers bore a striking resemblance to Carvey's impression of SNL creator Lorne Michaels.
  15. ^ "How Mike Myers and Dana Carvey Resolved Their 'Wayne's World'-'Austin Powers' Feud". The Hollywood Reporter. April 11, 2013. Retrieved July 8, 2015. Carvey felt Myers later stole his Dr. Evil impression for Austin Powers, which supposedly was based on Carvey's goof on Lorne Michaels.
  16. ^ Name Space:Main. "Chekhov's Ashes". TV Tropes. Retrieved May 1, 2017.
  17. ^ snell. "I Expect You To Die!: A View To A Kill". expectyoutodie.blogspot.com.
  18. ^ "The bubbles tickle my . . . Tchaikovsky!". epinions.com.
  19. ^ Evans, Bradford (March 17, 2011). "The Lost Roles of Jim Carrey". Splitsider. Archived from the original on August 8, 2015. Retrieved August 10, 2015.
  20. ^ Rabin, Nathan (June 18, 2003). "Colin Quinn". The Onion A.V. Club.
  21. ^ "This Sort Of Thing Is His Bag, Baby". Newsweek. May 18, 1997.
  22. ^ Cling, Carol (April 28, 1997). "Two movies using Nevada as backdrop set to open Friday". Las Vegas Review-Journal. Archived from the original on September 8, 2001.
  23. ^ Puig, Claudia (May 6, 1997). "Weekend Box Office; Box Office Continues Its Breakout". Los Angeles Times. Retrieved November 5, 2010.
  24. ^ "Breakdown, 'Austin Powers' Top 'Volcano' at Box Office". Los Angeles Times. May 5, 1997. Retrieved December 25, 2010.
  25. ^ a b c d e f Mendelson, Scott (November 4, 2013). "The First 'Austin Powers' Was Not A Flop, And Why It Matters". Forbes. Retrieved May 30, 2022.
  26. ^ "Austin Powers: International Man of Mystery (1997)". Rotten Tomatoes. Retrieved December 2, 2022.
  27. ^ "Austin Powers: International Man of Mystery movie review and film summary". RogerEbert.com. Retrieved January 15, 2022.
  28. ^ Johnston, Andrew (May 1–8, 1997). "Austin Powers: International Man of Mystery". Time Out New York: 64.
  29. ^ Johnson, Malcolm (May 2, 1997). "Talented Myers Out Of Control In 'Powers'". Hartford Courant. Archived from the original on April 2, 2012. Retrieved July 29, 2012.
  30. ^ Erlewine, Stephen Thomas. Austin Powers: International Man of Mystery at AllMusic
  31. ^ "Amazon.com: George S. Clinton: Austin Powers International Man of Mystery and The Spy Who Shagged Me: Music". amazon.com.
  32. ^ "Movie Censorship Report". Movie-censorship.com. Retrieved October 4, 2017.
  33. ^ "Daniel Craig Foreshadows". mi6-hq.com. December 2, 2014. Retrieved August 26, 2018.

External links[edit]

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