Park Chan-wook
Park Chan-wook | |
---|---|
박찬욱 | |
![]() Park in 2013 | |
Born | |
Other names | Bakridamae (박리다매) |
Alma mater | Sogang University, Seoul, South Korea |
Occupation(s) | Film director, screenwriter, producer |
Years active | 1992–present |
Notable work | |
Spouse |
Kim Eun-hee (m. 1990) |
Children | 1[1] |
Relatives |
|
Awards | Best Director at the 2022 Cannes Film Festival |
Honours | |
Korean name | |
Hangul | 박찬욱 |
Hanja | |
Revised Romanization | Bak Chanuk |
McCune–Reischauer | Pak Ch'anuk |
Park Chan-wook (Korean: 박찬욱; IPA: [pak̚ tɕʰanuk̚]; born 23 August 1963) is a South Korean film director, screenwriter, producer, and former film critic. He is considered one of the most prominent filmmakers of South Korean cinema as well as 21st-century world cinema.[2] His films, which often blend crime, mystery and thriller with other genres, and have gained notoriety for their cinematography, framing, black humor and often brutal subject matters.[3][4]
After two unsuccessful films in the 1990s which he has since largely disowned, Park came to prominence with his acclaimed third directorial effort, Joint Security Area (2000), which became the highest-grossing film in South Korean history at the time and which Park himself prefers to be regarded as his directorial debut.[5][6] Using his newfound creative freedom, he would go on to direct the films forming his unofficial The Vengeance Trilogy: Sympathy for Mr. Vengeance (2002), a financial failure that polarized critics, followed by Oldboy (2003) and Lady Vengeance (2005), both of which received critical acclaim and were financially successful. Oldboy in particular is regarded as one of the greatest films ever made, and helped establish Park as a well-known director outside his native country.[a]
Most of Park's works following The Vengeance Trilogy were also commercial and critical successes both in South Korea and internationally, such as Thirst (2009), The Handmaiden (2016), which earned Park the BAFTA Award for Best Film Not in the English Language, and Decision to Leave (2022), which won the Best Director award at the 2022 Cannes Film Festival.[12] He directed the English-language miniseries The Little Drummer Girl (2018) and The Sympathizer (2024).
Early life
[edit]Park Chan-wook was born 23 August 1963 in Seoul.[13] Both of his parents were native Seoul residents who have lived in Seoul for five generations. His father, Park Don-seo, was a professor of architecture and former dean of Ajou University's College of Engineering. Meanwhile, his grandfather, Park Seung-seo, was the former president of the Korean Bar Association.[14] His brother, Park Chan-kyong is also a filmmaker. [15]
Park studied philosophy at Sogang University, where, disappointed with the analytic orientation of the department and consequent scant offerings in aesthetics, he started a cinema club, the 'Sogang Film Community', and published a number of articles on contemporary cinema. Originally intending to be an art critic, Park, upon seeing Vertigo, resolved to become a filmmaker.[16] After graduation, he wrote articles on film for journals and soon became an assistant director of films like Kkamdong, directed by Yu Yeong-jin, and Watercolor Painting in a Rainy Day, directed by Kwak Jae-yong (My Sassy Girl).[17]
Career
[edit]Park's debut feature film was The Moon Is... the Sun's Dream (1992). After five years, he made his second film, Trio. Park's early films were not successful at the box office, and he pursued a career as a film critic to make a living.[18] In an interview in 2017, he said "Many people think my directorial debut film is JSA, but I want to keep it that way".[19]
In 2000, Park directed Joint Security Area, which was a great success both commercially and critically, even surpassing Kang Je-gyu's Shiri as the then most-watched film ever made in South Korea.[20] This success made it possible for Park to make his next film more independently. Sympathy for Mr. Vengeance is the result of this creative freedom.
Park's unofficially-titled Vengeance Trilogy consists of Sympathy for Mr. Vengeance (2002), Oldboy (2003) and Lady Vengeance (2005). It was not originally intended to be a trilogy. Park won the Grand Prix at the 2004 Cannes Film Festival for Oldboy. The films concern the utter futility of vengeance and how it wreaks havoc on the lives of those involved.[21] Lady Vengeance was distributed by Tartan Films for the United States theatrical release in April 2006.[22]
American director Quentin Tarantino is an avowed fan of Park. As the head judge at the 2004 Cannes Film Festival, he personally pushed for Park's Oldboy to be awarded the Palme d'Or (the honour eventually went to Michael Moore's Fahrenheit 9/11).[23] Oldboy garnered the Grand Prix, Cannes's second-highest honour. Tarantino also regards Park's Joint Security Area to be one of "the top twenty films made since 1992."[24]
Since 2004, Park has been an owner of the filmmaking company Moho Film, which participated in the production of Snowpiercer (2013) and The Handmaiden (2016).[25]
In 2006, Park was the member of official section jury at the 63rd Venice International Film Festival.
In February 2007, Park won the Alfred Bauer Prize at the 57th Berlin International Film Festival. The award, named after the festival's founder and in praise of works that introduce new perspectives, went to Park for his film, I'm a Cyborg, But That's OK.[26]
In 2009, Park directed the vampire film Thirst, starring Song Kang-ho, which won the Prix du Jury (alongside Fish Tank, directed by Andrea Arnold) at the 2009 Cannes Film Festival. He considered directing Tinker Tailor Soldier Spy but ultimately turned it down.[27]
In 2011, Park said his new fantasy-horror film Paranmanjang (Night Fishing) was shot entirely on the iPhone.[28] The film was co-directed with Park's younger brother, Park Chan-kyong, who had no prior directing experience. It was nominated for Berlinale Shorts during the 2011 Berlin Film Festival and won the Golden Bear for Best Short Film.
In 2013, Park directed his first English-language film, Stoker.[29] He said he learned to accelerate the production process and completed filming in 480 hours.[27] Although Park does speak English, he used an interpreter on set.[27] On why the script attracted his attention, Park said: "It wasn't a script that tried to explain everything and left many things as questions, so it leads the audience to find answers for themselves, and that's what I liked about the script... I like telling big stories through small, artificially created worlds".[30][27] On 2 March 2013, Park appeared on a panel discussion about the film Stoker held at the Freer Gallery of Art in the Smithsonian's Museums of Asian Art.[31]
In 2014, Park directed a short film commissioned by luxury brand Ermenegildo Zegna, co-written by himself, Ayako Fujitani, Chung Chung-hoon and Michael Werwie, scored by Clint Mansell, and starring Jack Huston and Daniel Wu. It screened at the Rome International Film Festival and the Busan International Film Festival.[32]
![](http://upload.wikimedia.org/wikipedia/commons/thumb/0/0c/Park_Chan_Wook.jpg/220px-Park_Chan_Wook.jpg)
In September 2014, it was announced that Park would adapt Fingersmith, a historical crime novel by Sarah Waters.[33] The film entered production in mid-2015 and ended on 31 October 2015.[34] That film ended up becoming The Handmaiden and premiered in competition to rave reviews at the 2016 Cannes Film Festival, where Artistic Director Seong-hie Ryu won the Vulcain Prize for the Technical Arts, and the film was nominated for both the Palme d' Or and Queer Palm. At the 2016 Buil Film Awards, The Handmaiden won for Best New Actress (Tae-ri Kim), The Buil Readers' Jury Award and Best Art Direction (Seong-hie Ryu).[35] The film holds a 95% rating on Rotten Tomatoes, and saw box office success in several countries, including South Korea, the United States and the United Kingdom.[36][12]
In October 2014, it was announced that Park had signed on to direct the sci-fi body-swap film, Second Born.[37]
In January 2018, it was stated that Park would direct a TV miniseries adaptation of The Little Drummer Girl, a novel by John le Carré. It aired on BBC One in October of that year and stars Michael Shannon, Florence Pugh and Alexander Skarsgård.[38]
At the 24th Busan International Film Festival, Park said that he is writing scripts for feature films, for theater and for TV, including a new installment in the Vengeance Trilogy, and an adaption of Donald E. Westlake's novel The Ax.[39] Park had first discussed adapting the book in 2009, when he recieved approval from Costa-Gavras who owned the rights and directed a previous rendition of the novel.[40][41]
In May 2020, it was announced that he was working on his next film's screenplay, tentatively titled Heeojil gyeolsim (The Decision to Break Up). It is described as a melodrama and will star Tang Wei and Park Hae-il.[42][43] In October 2020, the title of the film was revealed as Decision to Leave, with the story described as a murder mystery romance. The film was set to begin shooting later that month.[44][45] In April 2021, A24 optioned Viet Thanh Nguyen's 2015 novel The Sympathizer for a TV adaptation, with Park Chan-wook directing.[46][47] He was awarded Best Director at the 2022 Cannes Film Festival for his work on Decision to Leave.[48][49]
In August 2024, Park began filming his adaption of The Ax, titled No Other Choice (어쩔수가없다).[50][51] Park wrote the screenplay with previous collaborators Lee Kyoung-mi, Don McKellar & Lee Ja-hye. The film would also see Park reunite with actors Lee Byung-hun and Cha Seung-won.[52]
Filmmaking
[edit]Park Chan-wook's films have gained notoriety for their cinematography and framing, black humor and often brutal subject matter.[3][4]
In a May 2004 interview with The Hollywood Reporter, Park listed Sophocles, Shakespeare, Kafka, Dostoevsky, Balzac and Kurt Vonnegut as influences on his career.[16]
His list of 61 favorite films for LaCinetek includes multiple entries of works by Luchino Visconti, Abel Ferrara, Michelangelo Antonioni, Mikio Naruse and Alfred Hitchcock.[53] He has named Taxi Driver by Martin Scorsese as one of his favorite films, a "monument of film history".[54]
Park has a history of successful collaborations with various talented individuals in the film industry. Among these collaborations, the longest-standing partnership is with Editor Kim Sang-bum.[55] Their relationship dates back to when Park, then a college student, joined the directing department led by editor-in-chief Kim Sang-bum. It is worth noting that Editor Kim Sang-bum's late father, Editor Kim Hee-soo, was involved in Park Chan-wook's debut film, The Moon Is... the Sun's Dream as editor. Since the film Joint Security Area (1998), Editor Kim Sang-bum has edited all of Park Chan-wook's works, except for Stoker (2013), up until The Handmaiden.[56] For his editing work in Park's latest film Decision to Leave, Kim Sang-bum won José Salcedo Award for Best Editing in Valladolid International Film Festival.[57]
Park has also collaborated with music director Jo Yeong-wook since Joint Security Area (1998). The two have since worked on several other projects together, including Oldboy, Sympathy For Lady Vengeance, The Handmaiden, and Decision to Leave.[58][59]
Park has also worked closely with art director Ryu Seong-hie, who was filming Memories of Murder when Park asked her to work on Oldboy. She has since worked with Park on I'm a Cyborg, But That's OK, Thirst, The Handmaiden, and Decision to Leave.[56]
Another notable collaborator of Park's is cinematographer Chung Chung-hoon. The pair first met during the production of Old Boy. The two have since worked on several other projects together, including Sympathy For Lady Vengeance, I'm a Cyborg, But That's OK, Thirst, and The Handmaiden. Chung is known for his exceptional use of lighting and camera work, and his visual style has been a strong match for Park's atmospheric and visually stunning films.[60]
He has frequently collaborated with screenwriter Jeong Seo-kyeong on several projects, such as Sympathy For Lady Vengeance, I'm a Cyborg, But That's OK, Thirst, The Handmaiden, and Decision to Leave.[56][61][62][63]
Park has a talent for attracting top-tier acting talents. Some of Korea's most well-known stars, such as Choi Min-sik and Song Kang-ho, have been integral parts of his casting selection. Song Kang-ho, in particular, has appeared in six of Park's feature length films. Park Hae-il and Shin Ha-kyun have also worked with Park on multiple occasions, three and four, respectively. Their collaborations have been highly regarded by audiences and critics alike.
Actor Work
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Day Trip | ![]() |
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Joint Security Area | ![]() |
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Oldboy | ![]() |
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Boy Goes to Heaven | ![]() |
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I'm a Cyborg, But That's OK | ![]() |
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Thirst | ![]() |
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The Handmaiden | ![]() |
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Decision to Leave | ![]() |
Personal life
[edit]Park was raised in a devout Catholic family in Korea, and describes himself as an atheist.[64][65] Park was raised in an environment that fostered culture and intellectual pursuits. His father, Park Don-seo, served as a professor of architecture and former dean of Ajou University's College of Engineering, while his grandfather, Park Seung-seo, held the esteemed position of former president of the Korean Bar Association. Additionally, Park's younger brother, Park Chan-kyong, is active as painter and art critic.[14]
Park was introduced to his future wife, Kim Eun-hee, by a mutual friend when she was a student at Ewha Womans University.[14] At the 15th Marrakech International Film Festival, Park paid tribute to his wife Kim Eun-hee for her support throughout his career.[64] Park's daughter, Park Seo-woo, studied at the Korea National University of Arts, and worked as a member of the art team for The Handmaiden.[66]
He voiced support for the Democratic Labor Party and was also a member of its successor, the New Progressive Party. He supported Justice Party candidate Sim Sang-jung in the 2017 South Korean presidential election.[67]
Filmography
[edit]Feature films
[edit]Year | Title | Credited as | Notes | Ref. | ||
---|---|---|---|---|---|---|
Director | Writer | Producer | ||||
1992 | The Moon Is... the Sun's Dream | Yes | Yes | No | ||
1997 | Trio | Yes | Yes | No | [69][70] | |
2000 | Anarchists | No | Yes | No | ||
Joint Security Area | Yes | Yes | No | [71] | ||
2001 | The Humanist | No | Yes | No | ||
2002 | Sympathy for Mr. Vengeance | Yes | Yes | No | [72] | |
A Bizarre Love Triangle | No | Yes | No | |||
2003 | Oldboy | Yes | Yes | No | [73] | |
2005 | Lady Vengeance | Yes | Yes | No | [74] | |
Boy Goes to Heaven | No | Yes | No | |||
2006 | I'm a Cyborg, But That's OK | Yes | Yes | Yes | ||
2008 | Crush and Blush | No | Yes | Yes | [75][76] | |
2009 | Thirst | Yes | Yes | Yes | [77] | |
2013 | Stoker | Yes | No | No | English-language debut | [78] |
Snowpiercer | No | No | Yes | |||
2014 | Bitter, Sweet, Seoul | Yes | Yes | Yes | Documentary | [79] |
2016 | The Handmaiden | Yes | Yes | Yes | [80] | |
The Truth Beneath | No | Yes | No | |||
2022 | Decision to Leave | Yes | Yes | Yes | [81] | |
2024 | Uprising | No | Yes | Yes | Netflix film | [82] |
TBA | No Other Choice | Yes | Yes | Yes | Adaption of Westlake's The Ax. | |
The Jailbreaker | Yes | Yes | Yes | Yong Film and Moho Film | [83] |
Short films
[edit]Year | Title | Segment | Credited as | Ref. | ||
---|---|---|---|---|---|---|
Director | Writer | Producer | ||||
1999 | Judgment | — | Yes | Yes | Yes | [84] |
2003 | If You Were Me | Never Ending Peace And Love | Yes | Yes | No | [85][86] |
2004 | Three... Extremes | Cut | Yes | Yes | No | |
2011 | Night Fishing | — | Yes[b] | Yes | Yes | [87][88] |
60 Seconds of Solitude in Year Zero | Cut | Yes | Yes | No | [89] | |
2012 | Day Trip | — | Yes[b] | Yes | No | [90] |
2013 | V (music video for Lee Jung-hyun) | — | Yes[b] | Yes | No | [91] |
2014 | A Rose Reborn (for Ermenegildo Zegna) | — | Yes | Yes | No | [91] |
2017 | Decades Apart | — | Yes[b] | Yes | Yes | [92] |
2022 | Life Is But a Dream | — | Yes | Yes[b] | No | [93] |
Television
[edit]Year | Title | Credited as | Notes | Ref. | ||
---|---|---|---|---|---|---|
Director | Writer | Executive Producer | ||||
2018 | The Little Drummer Girl | Yes | No | Yes | [94] | |
2020–present | Snowpiercer | No | No | Yes | [95] | |
2024 | The Sympathizer | 3 episodes | 7 episodes | Yes | Also co-creator | [96] |
Bibliography
[edit]Year | Translated title | Korean title | Pages | Publisher | ISBN | Ref. |
---|---|---|---|---|---|---|
2005 | Park Chan-wook's Montage | 박찬욱의 몽타주 | 299 | Mind walk | ISBN 89-89351-81-2 | [97][98] |
Park Chan-wook's Homage | 박찬욱의 오마주 | 528 | ISBN 89-89351-82-0 | [99][100] |
Awards and nominations
[edit]State honors
[edit]Country | Ceremony | Year | Honor or Award | Ref. |
---|---|---|---|---|
South Korea | Culture Day Award Ceremony | 2000 | Today's Young Artist Award — Film Minister's Office of Culture and Tourism Commendation |
[172][173] |
Minister's Office of Culture and Tourism Award Ceremony | 2004 | Bogwan Order of Cultural Merit | [174] | |
2006 Korea Cultural Contents Export Merit Ceremony | 2006 | Presidential Citation | [175] | |
Korean Popular Culture and Arts Awards[d] | 2022 | Eugwan Order of Cultural Merit | [179] |
Listicles
[edit]Publisher | Year | Listicle | Placement | Ref. |
---|---|---|---|---|
Hankyoreh | 2004 | 100 people who will open the future of Korea | Top 15 | [180] |
Herald Business Daily | 2008 | Pop Culture Power Leader Big 30 | 11th | [181][182] |
Sisa Journal | 2005 | Most influential person in the entertainment industry | 9th | [183] |
2008 | Next Generation Leader—Film Industry | 1st | [184] | |
2009 | 1st | [185] | ||
2015 | Next Generation Leader—Pop Culture | 7th | [186] | |
2017 | Next Generation Leader—Culture, Arts, Sports | 22th[e] | [187] | |
2018 | Korea's Most Influential Cultural Artists | 6th | [188] | |
2019 | 6th | [188] | ||
2020 | 3rd | [189] | ||
2021 | 5th | [190] | ||
2022 | 2nd | [191] | ||
2023 | 3rd | [192] |
See also
[edit]Notes
[edit]- ^ Multiple references:[7][8][9][10][11]
- ^ a b c d e With his brother Park Chan-kyong.
- ^ Visionary Awards, which started in 2020, selects and awards people who lead roles in the Korean entertainment industry. It highlights the meaning and achievements of a person whose chosen trend keywords penetrated the entertainment industry, including broadcasting, movies, music, and performances, and presents the next vision of the cultural sector with outstanding achievements and influence.[170]
- ^ Since 2020, Honors are given at the Korean Popular Culture and Arts Awards, arranged by the Korea Creative Content Agency and hosted by the Ministry of Culture, Sports and Tourism.[176][177] They are awarded to those who have contributed to the arts and South Korea's pop culture.[178]
- ^ Tied with Ryoo Seung-wan
References
[edit]- ^ Park, Min-jung (6 June 2016). "스태프로 일한 딸, 아빠 박찬욱과 눈 마주쳤을 때" [When I made eye contact with my daughter, father Park Chan-wook, who worked as a staff member]. Wikitree (in Korean). Archived from the original on 22 May 2023. Retrieved 11 July 2022.
- ^ Chee, Alexander (16 October 2017). "Park Chan-wook, the Man Who Put Korean Cinema on the Map". The New York Times. Archived from the original on 1 April 2019. Retrieved 9 December 2022.
- ^ a b "Watch: Bold, Beautiful 7-Minute Supercut Tribute To The Films Of Park Chan-Wook". Indiewire.com. 25 August 2015. Archived from the original on 12 March 2017. Retrieved 10 March 2017.
- ^ a b "Cannes 09: Park Chan-Wook's 'Thirst' Is An Absurdist Treat That Becomes Muddled; Overstays Its Welcome". Theplaylist.net. Archived from the original on 12 March 2017. Retrieved 10 March 2017.
- ^ Cotter, Padraig (29 September 2020). "Why Park Chan-wook Has Disowned His Debut The Moon Is The Sun's Dream". ScreenRant. Retrieved 18 September 2023.
- ^ Lah, Je-gi (29 January 2017). "박찬욱 "여배우 강압 노출? 노동현장 인권문제"" (in Korean). Hankook Ilbo. Archived from the original on 23 January 2023. Retrieved 23 January 2023.
- ^ "/Film's Top 100 Movies Of All Time". /Film. 22 May 2023. Archived from the original on 1 August 2023. Retrieved 1 August 2023.
- ^ "The 100 greatest foreign-language films". www.bbc.com. Archived from the original on 25 December 2020. Retrieved 1 August 2023.
- ^ "The 100 Greatest Movies Of The 21st Century". Empire. 18 March 2020. Archived from the original on 17 August 2021. Retrieved 18 August 2023.
- ^ "The 100 best films of the 21st century (so far)". Time Out Worldwide. 6 February 2022. Archived from the original on 21 March 2023. Retrieved 1 August 2023.
- ^ Sciretta, Peter (5 October 2008). "Empire Magazine's 500 Greatest Movies Of All Time". /Film. Archived from the original on 23 February 2022. Retrieved 23 February 2022.
- ^ a b "The Handmaiden". Box Office Mojo. IMDb. Archived from the original on 27 February 2019. Retrieved 26 February 2019.
- ^ Chan-wook, Park. (10 December 2005). Park's Montage (essay). 마음 산책. "Introduction about the author, and the prologue". ISBN 89-89351-81-2.
- ^ a b c "히치콕이 내 인생 바꿨다" [Hitchcock changed my life]. entertain.naver.com (in Korean). 27 May 2004. Archived from the original on 10 December 2022. Retrieved 18 February 2024.
- ^ https://www.washingtonpost.com/dc-md-va/2023/11/13/national-museum-of-asian-art-park-chan-kyong-gathering/ [bare URL]
- ^ a b "Dialogue: Park Chan-wook". The Hollywood Reporter. 14 May 2004. Archived from the original on 30 September 2007. Retrieved 14 July 2007.
- ^ Kim, Young-jin (2007). PARK Chan-wook. Seoul Selection. ISBN 9788991913943. Archived from the original on 21 July 2023. Retrieved 2 November 2020.
- ^ "A.V. Club interview with Park Chan-wook". Avclub.com. 6 August 2009. Archived from the original on 10 August 2009. Retrieved 28 August 2009.
- ^ Lah, Je-gi (29 January 2017). "박찬욱 "여배우 강압 노출? 노동현장 인권문제"" (in Korean). Hankook Ilbo. Archived from the original on 23 January 2023. Retrieved 23 January 2023.
- ^ "Yellow Sea Rising: The Resurrection of South Korean Cinema". Blockmuseum.northwestern.edu. Archived from the original on 9 June 2010. Retrieved 30 August 2009.
- ^ McConkey, Rachael. "Contemporary South Korean Auteurs". Traumafilm.com. Archived from the original on 27 April 2009. Retrieved 7 May 2008.
- ^ "Palisades Tartan unleashes the 8-Disc VENGEANCE TRILOGY Box". Fangoria.com. Archived from the original on 15 October 2009. Retrieved 6 November 2017.
- ^ "The New Cult Canon: Oldboy". Avclub.com. 1 October 2008. Archived from the original on 1 October 2009. Retrieved 28 August 2009.
- ^ Vogels, Pim (3 August 2020). "10 Great Thriller Movies Recommended By Quentin Tarantino". Taste of Cinema - Movie Reviews and Classic Movie Lists. Archived from the original on 18 February 2024. Retrieved 18 February 2024.
- ^ "[대담한 문화읽기]듣는 영화 묘미를 아십니까". entertain.naver.com (in Korean). Retrieved 18 February 2024.
- ^ "China's Tuya's Marriage wins Berlin film festival". Rawstory.com. 17 February 2007. Archived from the original on 8 April 2008. Retrieved 7 May 2008.
- ^ a b c d Lee, Rachel (29 March 2012). "Park Chan-wook stalks a thriller with 'Stoker'". Korea JoongAng Daily. Archived from the original on 18 April 2012. Retrieved 1 April 2012.
- ^ "'Oldboy' director shoots new horror film on iPhone 4". CNN. 11 January 2011. Archived from the original on 13 January 2011. Retrieved 11 January 2011.
- ^ Kay, Jeremy (1 September 2011). "Shooting begins on Stoker for Scott Free, Searchlight, Indian Paintbrush". Screen Daily. Archived from the original on 10 October 2012. Retrieved 2 September 2011.
- ^ STOKER Featurette: "Director's Vision". YouTube. FoxSearchlight. 5 March 2013. Archived from the original on 21 December 2021. Retrieved 29 November 2016.
- ^ "Korean Film Festival DC 2013". 28 February 2013. Archived from the original on 11 April 2018. Retrieved 10 April 2018.
- ^ Akande, Zainab (23 October 2014). "Watch: Park Chan-wook's Fashionista Thriller Starring Jack Huston and Jason Wu – IndieWire". www.indiewire.com. Archived from the original on 4 March 2016. Retrieved 6 November 2017.
- ^ Kim, Nemo (3 September 2014). "Park Chan-wook to Shoot Sexy Crime Story 'Fingersmith'". Variety.com. Archived from the original on 12 October 2017. Retrieved 6 November 2017.
- ^ "FIRST LOOK AT PARK CHAN-WOOK'S FINGERSMITH ADAPTATION THE HANDMAID". JoBlo. Archived from the original on 13 January 2016. Retrieved 3 November 2015.
- ^ "Ah-ga-ssi". IMDb.com. Archived from the original on 10 August 2017. Retrieved 6 November 2017.
- ^ "The Handmaiden (Ah-Ga-Ssi)". Rotten Tomatoes. Archived from the original on 12 August 2016. Retrieved 26 February 2019.
- ^ "Park Chan-wook Signs On For Body-Swapping Sci-Fi Thriller". ScreenCrush. 13 November 2014. Archived from the original on 7 November 2017. Retrieved 6 November 2017.
- ^ "Michael Shannon Joins Park Chan-Wook's AMC Series 'The Little Drummer Girl'". Collider. 25 January 2018. Archived from the original on 29 May 2018. Retrieved 29 May 2018.
- ^ Brzeski, Patrick; Scott, Matthew (10 August 2019). "Busan: Park Chan-wook Reveals Plans for New Film Projects". hollywoodreporter.com. The Hollywood Reporter. Archived from the original on 8 December 2019. Retrieved 17 January 2020.
- ^ Han, Sunhee (12 October 2009). "Park pushes for 'Couperet' remake". Variety.
- ^ Kil, Sonia. "Busan: Park Chan-wook to Remake Costa Gavras' Dark Comedy 'The Ax'". Variety. Archived from the original on 13 September 2022.
- ^ "[단독]박찬욱 감독 신작 '헤어질 결심' 박해일·탕웨이 호흡". entertain.naver.com (in Korean). Naver. 19 May 2020. Archived from the original on 22 June 2020. Retrieved 4 October 2020.
- ^ Raup, Jordan (19 May 2020). "Park Chan-wook's Next Film is a Melodrama Starring Tang Wei and Park Hae-il". thefilmstage.com. The Film Stage. Archived from the original on 13 September 2022. Retrieved 13 September 2022.
- ^ Frater, Patrick (13 October 2020). "Park Chan-wook Set to Start Shooting Next Movie 'Decision to Leave'". variety.com. Variety. Archived from the original on 3 March 2021. Retrieved 6 February 2021.
- ^ Noh, Jean. "Park Chan-wook's First Movie Since 'Handmaiden' Is a Murder Mystery Romance Filming This Month". indiewire.com. IndieWire. Archived from the original on 19 November 2020. Retrieved 7 February 2021.
- ^ "Park Chan-wook to Direct TV Adaptation of the Sympathizer". 6 April 2021. Archived from the original on 7 April 2021. Retrieved 9 April 2021.
- ^ "Park Chan-wook Joins A24 for 'The Sympathizer,' His TV Return After 'Little Drummer Girl'". 7 April 2021. Archived from the original on 8 April 2021. Retrieved 9 April 2021.
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Were there issues of faith in your own life that made you interested in creating this character?: I grew up in a very Catholic family. Up until puberty, I would go to a Catholic church every week. That is where I started to take an interest in religion, although currently I have no faith. But I had been made aware of a sense of guilt that is unique to Catholics.
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External links
[edit]![](http://upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png)
- Park Chan-wook at IMDb
- Park Chan-wook at Rotten Tomatoes
- Park Chan-wook at the Korean Movie Database
- Park Chan-wook at AllMovie
- Park Chan-Wook to make korean horror Movie using only iPhone at Korean Horror Movies
- Park Chan-wook: monographic website (Italian & English)
- Cineseoul profile (Korean)
- HanCinema Director Page
- Park Chan-wook at FEARnet
- SuicideGirls interview with Park Chan-wook by Daniel Robert Epstein
- July 2009 Interview with Park Chan-wook at the Korea Society (Audio)
- Park Chan-wook on Naver
- Best Actor for Grand Bell Awards winners
- South Korean atheists
- South Korean film producers
- South Korean film directors
- South Korean screenwriters
- South Korean film critics
- Mass media people from Seoul
- 1963 births
- Living people
- Former Roman Catholics
- Sogang University alumni
- Horror film directors
- Filmmakers who won the Best Foreign Language Film BAFTA Award
- Cannes Film Festival Award for Best Director winners
- Best Director Paeksang Arts Award (film) winners
- Grand Prize Paeksang Arts Award (Film) winners