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Jeannette at Le Havre in 1878, prior to her departure for San Francisco in a trip that would see her round Cape Horn The Jeannetteexpedition of 1879–1881, officially called the U.S. Arctic Expedition, was an attempt led by George W. De Long to reach the North Pole by pioneering a route from the Pacific Ocean through the Bering Strait. The premise was that a temperate current, the Kuro Siwo, flowed northwards into the strait, providing a gateway to the hypothesized Open Polar Sea and thus to the pole.
This theory proved illusory; the expedition's ship, USS Jeannette and its crew of thirty-three men, was trapped by ice and drifted for nearly two years before she was crushed and sunk north of the Siberian coast. De Long then led his men on a perilous journey by sled, dragging the Jeannette'swhaleboat and two cutters, eventually switching to these small boats to sail for the Lena Delta in Siberia. During this journey, and in the subsequent weeks of wandering in Siberia before rescue, twenty of the ship's complement died, including De Long. (Full article...)
Viatkogorgon is a genus of gorgonopsian (a type of therapsid, the group that includes modern mammals) that lived during the Permian period in what is now Russia. The first fossil was found at the Kotelnich locality near the Vyatka River and was made the holotype of the new genus and speciesV. ivachnenkoi in 1999. The generic name refers to the river and the related genus Gorgonops—the gorgons of Greek mythology are often referenced in the names of the group. The specific name honors the paleontologist Mikhail F. Ivakhnenko. The holotype skeleton is one of the most complete gorgonopsian specimens known and includes rarely preserved elements such as gastralia (abdominal ribs) and a sclerotic ring (a bony ring inside the eye). A larger, but poorly preserved specimen has also been assigned to the species.
The holotype specimen is about 80 cm (31 in) long, including the 14 cm (5.5 in) long skull, making Viatkogorgon a relatively small gorgonopsian. The assigned specimen is larger, with a 17 cm (6.7 in) long skull, and the holotype may have been young. As a gorgonopsian, it would have been skeletally robust with a somewhat dog-like stance, though with outwards-turned elbows. The snout was high, and the teeth were generally recurved (curved backward), pointed, and serrated. The canines (the saber teeth) were much larger than the incisors at the front and postcanines behind but relatively small for a gorgonopsian. Viatkogorgon was characterized by its unusually large eye socket and sclerotic ring. It was distinct from other gorgonopsians in that the lower end of the postorbital bar was narrow, and it had a very large sulcus (or furrow) at the back of the skull on each side. Since gorgonopsians have been described mainly from skulls, it is uncertain how widespread the postcranial features of Viatkogorgon were in other members of the group. The skeleton of Viatkogorgon was unusual in having gastralia, in that the tail was differentiated with a front and hind part, with the former less flexible, and in that some of the foot bones and its digits were reduced in size and interconnected. (Full article...)
In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether Russian classical music should be composed following Western or native practices. Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics. The Five, made up of composers Mily Balakirev, Alexander Borodin, César Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression. Also, unlike Tchaikovsky, none of The Five were academically trained in composition; in fact, their leader, Balakirev, considered academicism a threat to musical imagination. Along with critic Vladimir Stasov, who supported The Five, Balakirev attacked relentlessly both the Saint Petersburg Conservatory, from which Tchaikovsky had graduated, and its founder Anton Rubinstein, orally and in print.
As Tchaikovsky had become Rubinstein's best-known student, he was initially considered by association as a natural target for attack, especially as fodder for Cui's printed critical reviews. This attitude changed slightly when Rubinstein left the Saint Petersburg musical scene in 1867. In 1869 Tchaikovsky entered into a working relationship with Balakirev; the result was Tchaikovsky's first recognized masterpiece, the fantasy-overture Romeo and Juliet, a work which The Five wholeheartedly embraced. When Tchaikovsky wrote a positive review of Rimsky-Korsakov's Fantasy on Serbian Themes he was welcomed into the circle, despite concerns about the academic nature of his musical background. The finale of his Second Symphony, nicknamed the Little Russian, was also received enthusiastically by the group on its first performance in 1872. (Full article...)
The discovery of tennessine was officially announced in Dubna, Russia, by a Russian–American collaboration in April 2010, which makes it the most recently discovered element as of 2024[update]. One of its daughter isotopes was created directly in 2011, partially confirming the results of the experiment. The experiment itself was repeated successfully by the same collaboration in 2012 and by a joint German–American team in May 2014. In December 2015, the Joint Working Party of the International Union of Pure and Applied Chemistry (IUPAC) and the International Union of Pure and Applied Physics (IUPAP), which evaluates claims of discovery of new elements, recognized the element and assigned the priority to the Russian–American team. In June 2016, the IUPAC published a declaration stating that the discoverers had suggested the name tennessine, a name which was officially adopted in November 2016. (Full article...)
The polar bear (Ursus maritimus) is a large bear native to the Arctic and nearby areas. It is closely related to the brown bear, and the two species can interbreed. The polar bear is the largest extant species of bear and land carnivore, with adult males weighing 300–800 kg (660–1,760 lb). The species is sexually dimorphic, as adult females are much smaller. The polar bear is white- or yellowish-furred with black skin and a thick layer of fat. It is more slender than the brown bear, with a narrower skull, longer neck and lower shoulder hump. Its teeth are sharper and more adapted to cutting meat. The paws are large and allow the bear to walk on ice and paddle in the water.
Polar bears are both terrestrial and pagophilic (ice-living) and are considered to be marine mammals due to their dependence on marine ecosystems. They prefer the annual sea ice but live on land when the ice melts in the summer. They are mostly carnivorous and specialized for preying on seals, particularly ringed seals. Such prey is typically taken by ambush; the bear may stalk its prey on the ice or in the water, but also will stay at a breathing hole or ice edge to wait for prey to swim by. The bear primarily feeds on the seal's energy-rich blubber. Other prey include walruses, beluga whales and some terrestrial animals. Polar bears are usually solitary but can be found in groups when on land. During the breeding season, male bears guard females and defend them from rivals. Mothers give birth to cubs in maternity dens during the winter. Young stay with their mother for up to two and a half years. (Full article...)
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Portrait of Rimsky-Korsakov in 1898 by Valentin Serov (detail)
Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. Rimsky-Korsakov's techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner. (Full article...)
Dubnium does not occur naturally on Earth and is produced artificially. The Soviet Joint Institute for Nuclear Research (JINR) claimed the first discovery of the element in 1968, followed by the American Lawrence Berkeley Laboratory in 1970. Both teams proposed their names for the new element and used them without formal approval. The long-standing dispute was resolved in 1993 by an official investigation of the discovery claims by the Transfermium Working Group, formed by the International Union of Pure and Applied Chemistry and the International Union of Pure and Applied Physics, resulting in credit for the discovery being officially shared between both teams. The element was formally named dubnium in 1997 after the town of Dubna, the site of the JINR. (Full article...)
The region that formed the TDFR had been part of the Russian Empire. As the empire dissolved during the 1917 February Revolution and a provisional government took over, a similar body, called the Special Transcaucasian Committee (Ozakom), did the same in the Caucasus. After the October Revolution and rise of the Bolsheviks in Russia, the Transcaucasian Commissariat replaced the Ozakom. In March 1918, as the First World War continued, the Commissariat initiated peace talks with the Ottoman Empire, which had invaded the region, but the talks broke down quickly as the Ottomans refused to accept the authority of the Commissariat. The Treaty of Brest-Litovsk, which ended Russia's involvement in the war, conceded parts of the Transcaucasus to the Ottoman Empire, which pursued its invasion to take control of the territory. Faced with this imminent threat, on 22 April 1918 the Commissariat dissolved itself and established the TDFR as an independent state. A legislature, the Seim, was formed to direct negotiations with the Ottoman Empire, which had immediately recognized the state. (Full article...)
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Oganesson is a synthetic chemical element; it has symbolOg and atomic number 118. It was first synthesized in 2002 at the Joint Institute for Nuclear Research (JINR) in Dubna, near Moscow, Russia, by a joint team of Russian and American scientists. In December 2015, it was recognized as one of four new elements by the Joint Working Party of the international scientific bodies IUPAC and IUPAP. It was formally named on 28 November 2016. The name honors the nuclear physicist Yuri Oganessian, who played a leading role in the discovery of the heaviest elements in the periodic table. It is one of only two elements named after a person who was alive at the time of naming, the other being seaborgium, and the only element whose eponym is alive as of 2024[update].
Oganesson has the highest atomic number and highest atomic mass of all known elements as of 2024[update]. On the periodic table of the elements it is a p-block element, a member of group 18 and the last member of period 7. Its only known isotope, oganesson-294, is highly radioactive, with a half-life of 0.7 ms and, as of 2020,[update] only five atoms have been successfully produced. This has so far prevented any experimental studies of its chemistry. Because of relativistic effects, theoretical studies predict that it would be a solid at room temperature, and significantly reactive, unlike the other members of group 18 (the noble gases). (Full article...)
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King Władysław II Jagiełło, detail of the Triptych of Our Lady of Sorrows in the Wawel Cathedral, Kraków
Jogaila was the last pagan ruler of medieval Lithuania. After he became King of Poland, as a result of the Union of Krewo, the newly formed Polish-Lithuanian union confronted the growing power of the Teutonic Order. The allied victory at the Battle of Grunwald in 1410, followed by the Peace of Thorn, secured the Polish and Lithuanian borders and marked the emergence of the Polish–Lithuanian alliance as a significant force in Europe. The reign of Władysław II Jagiełło extended Polish frontiers and is often considered the beginning of Poland's Golden Age. (Full article...)
Named for the siege of Sevastopol during the Crimean War, the ship was commissioned into the First Pacific Squadron of the Russian Pacific Fleet and was stationed at Port Arthur (today Lüshunkou District, Dalian, Liaoning, China), a Russian naval base acquired from China in 1898 as part of the Kwantung Leased Territory. One of the first ships to use Harvey nickel-steel armor and Popov radios, she displaced 11,854 long tons (12,044 t) at full load and was 369 feet (112.5 m) long overall, and mounted a main battery of four 12-inch (305 mm) guns in two twin turrets. She was laid down in May 1892, launched on 1 June 1895 and completed in 1899. Her sea trials lasted until 1900. (Full article...)
After the mutineers sought asylum in Constanța, Romania, and after the Russians recovered the ship, her name was changed to Panteleimon. She accidentally sank a Russian submarine in 1909 and was badly damaged when she ran aground in 1911. During World War I, Panteleimon participated in the Battle of Cape Sarych in late 1914. She covered several bombardments of the Bosphorus fortifications in early 1915, including one where the ship was attacked by the OttomanbattlecruiserYavuz Sultan Selim – Panteleimon and the other Russian pre-dreadnoughts present drove her off before she could inflict any serious damage. The ship was relegated to secondary roles after Russia's first dreadnought battleship entered service in late 1915. She was by then obsolete and was reduced to reserve in 1918 in Sevastopol. (Full article...)
The terrain complicated battle tactics for both sides, but the Russians and the Austrians, having arrived in the area first, were able to overcome many of its difficulties by strengthening a causeway between two small ponds. They had also devised a solution to Frederick's deadly modus operandi, the oblique order. Although Frederick's troops initially gained the upper hand in the battle, his limited scouting, combined with the strong defensive preparations of the Allied troops, gave the Russians and Austrians an advantage. By afternoon, when the combatants were exhausted, fresh Austrian troops thrown into the fray secured the Allied victory. (Full article...)
Although James Clerk Maxwell made the first color photograph in 1861, the results were far from realistic until Prokudin-Gorsky perfected the technique with a series of improvements around 1905. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different colored filter. Prokudin-Gorskii then went on to document much of the country of Russia, travelling by train in a specially equipped darkroomrailroad car.
Kombat (Russian for 'battalion commander') is a black-and-white photograph by Soviet photographer Max Alpert. It depicts a Soviet military officer, armed with a TT pistol, raising his unit for an attack during World War II. This work is regarded as one of the most iconic Soviet World War II photographs, yet neither the date nor the subject is known with certainty. According to the most widely accepted version, it depicts junior politruk Aleksei Gordeyevich Yeryomenko, minutes before his death on 12 July 1942, in Voroshilovgrad Oblast, now part of Ukraine. The photograph is in the archives of RIA Novosti, a Russian state-owned news agency.
The Tauride Palace is one of the largest and most historic palaces in Saint Petersburg, Russia. It was designed by Ivan Starov for Prince Grigory Potemkin, and was constructed between 1783 and 1789. After the owner's death, it was purchased by Catherine the Great, who constructed a theatre in the east wing and a church in the west wing. Many improvements were also made to the grounds, including construction of the Admiralty Pavilion, the gardener house, the orangery, glass-houses, bridges, and ironwork fences. Although the exterior of the building was rather plain, the interior was very luxurious. More recently, the building housed the first Imperial State Duma (1906–1917) and the post-revolution provisional government.
A painting depicting Ivan Tsarevich, one of the main heroes of Russian folklore, riding a magic carpet after having captured the Firebird, which he keeps in a cage. This work was Viktor Vasnetsov's first attempt at illustrating Russian folk tales and inaugurated a famous series of paintings on the themes drawn from Russian folklore.
Fyodor Dostoevsky (1821–81; depicted in 1872) was a Russian novelist, short story writer, essayist and philosopher. After publishing his first novel, Poor Folk, at age 25, Dostoyevsky wrote (among others) eleven novels, three novellas, and seventeen short novels, including Crime and Punishment (1866), The Idiot (1869), and The Brothers Karamazov (1880).
This photo of the Nilov Monastery on Stolobny Island in Tver Oblast, Russia, was taken by Sergey Prokudin-Gorsky in 1910 before the advent of colour photography. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different coloured filter. By projecting all three monochrome pictures using correctly coloured light, it was possible to reconstruct the original colour scene.
Alexis (1629–1676) was the tsar of Russia from 1645 until his death. Born in Moscow on 29 March 1629, the son of Tsar Michael and Eudoxia Streshneva, the sixteen-year-old Alexis acceded to the throne after his father's death. Boris Morozov, a shrewd boyar open to Western ideas, took charge of Russia in the early years of Alexis's reign, but was exiled from Moscow following a popular uprising. Alexis responded to the uprising with a new legal code. His reign saw wars with Poland and with Sweden, a schism in the Russian Orthodox Church, and the major Cossack revolt of Stenka Razin. Alexis was married twice and had sixteen children, including tsars Fyodor III; Ivan V; Peter the Great; and Sofia, who ruled as regent for her brothers from 1682 to 1689.
This oil painting, made by an unknown artist in the 1670s, is now located in a museum in Ptuj, Slovenia.
The Krestovsky Stadium is the home ground of FC Zenit Saint Petersburg. Photographed here in 2016, when construction was nearing completion, it is situated on Krestovsky Island in the Russian city of Saint Petersburg. It was opened in 2017 as a venue for the 2017 FIFA Confederations Cup, and hosted the final, in which Germany beat Chile 1–0. It was one of the venues for the 2018 FIFA World Cup the following year. Among other features, it has a retractable roof, and is equipped with a video-surveillance and identification system, as well as security-alarm, fire-alarm and robotic fire-extinguishing systems. The stadium's seating capacity is 67,800.
The Chesme Column is a victory column in the Catherine Park at the Catherine Palace, a former Russian royal residence in Tsarskoye Selo, a suburb of Saint Petersburg. It was erected to commemorate three Russian naval victories in the 1768–1774 Russo-Turkish War, including the Battle of Chesma in 1770. The column is made from three pieces of white-and-pink marble; decorated with the rostra of three ships' bows, and crowned by a triumphal bronze statue depicting a Russian eagle trampling a crescent moon, the symbol of Turkey. Bronze plaques on three sides of the pedestal depict scenes from the battles, and the campaign is described on the plaque on the fourth side.
The Great Coat of Arms of the Russian Empire, as presented to Emperor Paul I in October 1800. The use of the double-headed eagle in the coat of arms (seen in multiple locations here) goes back to the 15th century. With the fall of Constantinople and the end of the Byzantine Empire in 1453, the Grand Dukes of Moscow came to see themselves as the successors of the Byzantine heritage, a notion reinforced by the marriage of Ivan III to Sophia Paleologue. Ivan adopted the golden Byzantine double-headed eagle in his seal, first documented in 1472, marking his direct claim to the Roman imperial heritage and his assertion as sovereign equal and rival to the Holy Roman Empire.
Chicken Kiev, also known as chicken Kyiv, is a dish made of chickenfillet pounded and rolled around cold butter, then coated with egg and bread crumbs, and either fried or baked. Since fillets are often referred to as suprêmes in professional cookery, the dish is also called "suprême de volaille à la Kiev". Stuffed chicken breast is generally known in Russian and Ukrainian cuisines as côtelette de volaille. Though it has disputed origins, the dish is particularly popular in the post-Soviet states, as well as in several other countries of the former Eastern Bloc, and in the English-speaking world. (Full article...)
Lazar Markovich Lissitzky (Russian: Ла́зарь Ма́ркович Лиси́цкий, listen; 23 November [O.S. 11 November] 1890 – 30 December 1941), better known as El Lissitzky (Russian: Эль Лиси́цкий; Yiddish: על ליסיצקי), was a Russian artist, designer, photographer, typographer, polemicist and architect. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. His work greatly influenced the Bauhaus and constructivist movements, and he experimented with production techniques and stylistic devices that would go on to dominate 20th-century graphic design.
Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarized with his edict, "das zielbewußte Schaffen" (goal-oriented creation). Lissitzky, of Lithuanian Jewish оrigin, began his career illustrating Yiddish children's books in an effort to promote Jewish culture in Russia. When only 15 he started teaching, a duty he would maintain for most of his life. Over the years, he taught in a variety of positions, schools, and artistic media, spreading and exchanging ideas. He took this ethic with him when he worked with Malevich in heading the suprematist art groupUNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he took up a job as the Russian cultural ambassador to Weimar Germany, working with and influencing important figures of the Bauhaus and De Stijl movements during his stay. In his remaining years he brought significant innovation and change to typography, exhibition design, photomontage, and book design, producing critically respected works and winning international acclaim for his exhibition design. This continued until his deathbed, where in 1941 he produced one of his last works – a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany. In 2014, the heirs of the artist, in collaboration with Van Abbemuseum and leading worldwide scholars on the subject, established the Lissitzky Foundation in order to preserve the artist's legacy and to prepare a catalogue raisonné of the artist's oeuvre. (Full article...)
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